This child is the main character again today!

今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
今日もこの子が主役です!
This is the second part of the anthology by Ochinchin for Ochinchin! This magazine, which boasts an overwhelming chinchin rate presented by a total of 13 guests, is a maniac with the basic theme of “Onchinchin personification”, a situation where the male genitals are treated as one character. For those who love chinchin more than anything else, I aimed for a book that could be the bible. (Please note that the frontispiece is hidden by mosaic processing, unlike the book version.) *Please be assured that there are no scenes of bloodshed, although some of the content is a little radical (hints of castration, etc.). An expressive and play-like technique in which an attitude and dialogue are passed around as if a single personality resides in the penis. In addition, derived from this, there is a sub-genre aspect in which the true intention resides in the male genitals or it is depicted as an extension of CTF (penis), and it can be said that it is fetishism that is deep in concept. It is often seen in audio works such as DLsite, and is one of the expressions for which a certain number of demands exist. It is an expressive and play-like technique in which an attitude and dialogue are passed around as if a single personality resides in the male genitals. In addition, derived from this, there is a sub-genre aspect in which the true intention resides in the male genitals or it is depicted as an extension of CTF (penis), and it can be said that it is fetishism that is deep in concept. It is often seen in audio works such as DLsite, and is one of the expressions for which a certain number of demands exist.

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